MUSIC!
Electronic Music
Click the images or orange titles for links:
[unity] (2017) [53 minutes]
-15 track concept album about an AI as it has a nervous breakdown using glitchy video game inspired and ambient music. The glitch sounds are used as the AI’s ‘voice’ and a depiction of its mental state.
-Festival Featured [unity] tracks: fail_better [fluffball], 03-30, perverted_sentimentality [ft. Andrew Yee], screaming_in_terroir & You Didn’t Screw Up Once! |
Flox.exe (2018-20) [1 hour]
-20 track concept concept album about a multi-voiced, music-generating robot as it questions the meaning in the content it creates. Featuring chiptune/ambient music, spoken word, field recordings and chamber music. [coming late 2020]
|floc·ci·nau·ci·ni·hil·i·pil·i·fi·ca·tion [noun] (often humorous) The act or habit of describing or regarding something as unimportant, of having no value, or being worthless.| |
-polyominus_v5.3 (2016)
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Selected Concert works:
*Links are orange*
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Full Orchestra:
- Expansion! for full orchestra (Winner of the Tennessee Valley Music Festival’s Young Composers Forum) (2012-13) [6’30”] - Overture to “FLIGHT!” for full orchestra (2013-14, rev. 2015) [6’] - A Tome of Eternity [FLIGHT!] for full orchestra and electronics (2016) [8’38”] Winds: - Caprice-son for sax quartet (2015) [5’15”] - eRRr0R for wind quintet (2015) [4’] - Which Day is the Good Day? for wind quintet + fixed media (2019) [7’12”] Percussion: - Impetus for solo timpani (2014) [Included in the 2018 NYSSMA Manual Ed. 32] [c. 5’ ] - Kinga for two snare drums (2015) [2’15”] - Watch Out! for 2 multi-percussionists (2015) [8’] - Scattershot for percussion quartet (2020) [c. 5’] |
Strings:
- [untitled piece for string orchestra previously titled Culmination] (2014) - Lysis for string quartet (2017) [8’] Mixed Ensembles: - Pastiche for three percussionists, two pianos and solo viola (or string octet 2/4/2) (2014) [c. 30 minutes] - Consume/Conserve for Bb trumpet, baritone and tenor saxophones (2016) [3’30”] - Not looking back for trumpet, tenor sax, electric bass, drums and e. guitar (2018) [2’30”] - /// for loadbang + fixed media [trumpet, trombone, bass clarinet, baritone voice] (2018) [4’34”] - Rhelapsody I for amplified piano, e. guitar, upright/e. bass, e. violin, and drumset (2019) [6’10”] Piano: - The Carrion Waltz [FLIGHT!] for solo piano (2013, rev. 2015) [3’] - Conflate for two pianos (2014) [6’] |
Music for media:
for more info, go to the Portfolio tab
The All-story: FLIGHT! (2013-18, ongoing)
*Preview Album
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Other credits:
-BUDDIES: A Tribute to Banjo-Kazooie (Bird), cover album [2020] Materia Collective Witches Glitches & Stitches [Final Battle, by Grant Kirkhope] -Hyper Hypo, animation [2017] Hannah Shea [Featured at AFC Global Fest 2017, Festival de Cinema Escolar de Alvorada 2017, Cefalu Film Festival 2018, 2nd Caniartoon International Comic & Animation Festival 2018, and Society of Illustrators Rockstar Games award for Excellence in Animation 2018] -Mary Whitman Comes Home, short film [2016] Sommer Rusinski -The Wicker Husband, w/ John Secunde, animation [2016] Alex Galbier and co. -Offthewall, animation [2016] Alex Galbier -Retro Assist Me additional music, youtube series [2012] Maximillian 'dood' Christianson |
